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A recent review in the Times spends time on how Reggio’s crew filmed Triska, a resident at the Bronx Zoo, during regular visitor hours. Although at the start it seems like Triska is staring back at the camera in an isolated studio, she is having an average day at the zoo, and the shots were compiled over days. Like a surreptitious peek through a laptop video camera, we are peering directly into a face that does not seem to be aware that it’s being watched. Triska’s countenance, and those of the many other subjects in Reggio’s film, only appears to be performing for the portrait artist. It is, in fact, ignoring us entirely. (via Capturing Slow Portraits of People and Landscapes)