[Cross-posted from the WITNESS Hub Blog.]
On the Hub, we’ve encountered a wide variety of visual media for human rights, including much powerful photojournalism – from Magnum In Motion, VII Photo, and Human Rights Watch, among others. So when I watched this Monocle piece about the Prix Pictet on my way home from work, it reminded me that (to my delight, having worked with them closely in the past) Panos Pictures have joined the Hub. It’s the perfect excuse to start a regular series highlighting photojournalism on the Hub – so, welcome to In Focus…
Panos recently started creating multimedia narratives, and now Anna Stevens of Panos Pictures has contributed this piece, on the desperate situation faced by tens of thousands of asylum seekers whose applications for asylum are rejected in the UK:
This powerful narrative is part of a campaign led by major human rights organisations that are calling on the UK Government to:
–> End the threat and use of destitution as a tool of Government policy against refused asylum seekers
–> Continue financial support and accommodation to refused asylum seekers as provided during the asylum process and grant permission to work until such a time as they have left the UK or have been granted leave to remain
–> Continue to provide full access to health care and education throughout the same period
To learn more read this briefing (Word document) and to take action, visit the Still Here, Still Human campaign website. If you’re in London, you still have till April 4th to see the photographer Abbie Trayler-Smith’s exhibition at the HOST Gallery near Old St (also home both to Panos and to the exceptionalFoto8 Magazine).
Panos Pictures has always championed underreported stories, high quality photojournalism, and editorial innovation, and we’re delighted to have them as part of the Hub community.
If you want to take a closer look at Panos’ photojournalism, here are some human rights-related examples that really stood out for me recently:
– Espen Rasmussen’s photographs of the Janjaweed in Darfur in April 2004
– George Georgiou’s series of photographs of the Serbia/Kosovo conflict
– the extraordinary story of Nic Dunlop’s quest to track down Comrade Duch, Chief Executioner for the Khmer Rouge (who recently went on trial in Cambodia)