If you ask Kenyan journalists what is taking place at the editorial level, they will unanimously respond: “Media ownership.” An editor from Eldoret, Rift Valley highlights the difficult position that editorial staff are in: “I am an editor of an enterprise where the owner at times intercepts my reporters in a bid to alter our editorial perspectives. He actually changes content to suit his desires and those of his political friends. I have threatened to resign if he continues.”
The report finds that while media ownership is sometimes obvious, media owners often use their spouse, parents or trusted friends to register their media outlets, making it difficult to obtain clear data on media ownership. For instance, the researcher notes that the connection of presidential candidate Uhuru Kenyatta with MediaMax (owner of Kameme FM, Milele FM, The People and K24 among others) is factually true but legally untrue because the name of Uhuru Kenyatta does not appear in any legal document.
Set to live blue grass music from Down Hill Strugglers, her all-female models presented her latest Fall 2013 creations.
One model presented a profusion of colour which included a lilac-fold coal coat worn over a leaf green shibon knit shirt and a black/grey/cream crystal pleated tartan skirt with a grey leather belt. Other conspicuous features of this creation included a blood orange slip and circle dress with a zero waste mobius accessory.
A blonde model sported a linden wool/mohair tie jacket/coat with leaf green shibori knit dirndl tie collar shirt with a purple/black mini-check pant.
The collection of techy 21st century fabrics and vintage pindots in wool, pinchecks in cotton and pinstripes in nylon was locally produced and presented at just across the street from her showroom to ensure “sustainability, small carbon footprints and zero waste”.
In an interview with Bernama, Yeohlee said the underlying theme for her latest creations was freedom of expression. “I have emphasised comfort and ease in my latest creations. My clothes are uninhibited by the notion of time or seasons, they can be used in any season anywhere in the world,” she said.
searchengineland: When it comes to getting general news and information, consumers worldwide put as much trust in search engines as they do in traditional media — and more in both than they do in social media. Also interesting in the Edelman Trust Barometer 2012 (where the data above come from), media was the only institution to …
One of the most consistent observations made by economists of government regulation has been the seemingly inevitable phenomenon of “regulatory capture” (Dal Bó, 2006; Kahn, 1971; Laffont & Tirole, 1991; Levine & Forrence, 1990; Mitnick,1980; Stigler, 1971; Wu, 2010). According to Horwitz (1989), this occurs when a regulatory agency “systematically favors the private interests of regulated parties and systematically ignores the public interest” (emphasis in original, p. 29). The public interest thus becomes “perverted” as a regulator matures through several phases. “As the agency hits old age, it becomes a bureaucratic morass which, because of precedent, serves to protect its industry” (Horwitz, 1989, p. 30). Fraser (2000) used the same analogy of life stages to explain regulatory capture:
In their infancy, regulators show youthful activism. By middle age, they have succumbed to subtle co-option by industry interests. In their final stages of bureaucratic senility, they degenerate into passive interests of the corporate interest under their purview. (p. D11)
By that description, he added, the Canadian Radio-Television and Telecommunications Commission (CRTC) provided an excellent example of regulatory capture.