Interview: Adam Phillips, On Balance (for BOMB Magazine)

I mentioned before that I had interviewed Adam Phillips for BOMB Magazine.  Well, they’ve posted an long extract on their site (to read the whole thing you’ll need to buy a copy of BOMB).  Here’s that extract for your interest, minus my introduction.  (And when you’ve finished this, take a look at his epic essay on happiness in today’s Guardian):

BOMB Magazine – Adam Phillips by Sameer Padania
Originally published with an introduction at http://bombsite.com/issues/113/articles/3623

Sameer Padania (SP) Let’s start with how your new book, On Balance, has come together.

Adam Phillips I prefer writing essays rather than books. Over a period of time I’m invited to give various nonspecific talks and lectures. Nobody says to me, Will you talk about X? That tends to crystallize things that I’ve been preoccupied by, and a piece fairly quickly writes itself once that happens.

I don’t think too much about whether it all hangs together. I just write things that engage me, and then, when they get collected into a book like this, I trust that certain preoccupations will work themselves through. Otherwise, it becomes too tendentious and too focused and I don’t want that to be the case. When I read through the essays, I’ll keep the ones that I do still think are good and then I’ll think of what sort of order they might go in. The writing of the book, in a way, is putting them in an order.

In reading the book over, different things emerge at different times, but clearly one of the themes of the book is excess—that seemed to turn up in lots of different places. The idea for the title of On Balance, I don’t know how it came to me. I had read the Auden piece again, “Forms of Inattention,” where there’s that bit at the end about the tightrope walker. Ideas of composure or equanimity or balance or integration—all those words that have something to do with a kind of harmony—are at the heart of psychoanalysis in what it sets itself against, and also relate to what I seem to be preoccupied by.

I rely on the unconscious work of these things. When I sit down to write, I have a lot to write, but beforehand, I don’t. I’m not full of ideas. Writing is the way I think. Read the rest of this entry »


Ada Lovelace Day: (Sh)ETech 2009

Panels tend to be pretty man-heavy, in my experience.  I’ve spoken on quite a few human rights, tech, media development and journalism panels in the 3 years since I joined WITNESS in New York, and, although these sectors are often driven by the work and ideas of women, and many of the conference organisers are women, those with the mic are more often than not men (including me).

Curating panels isn’t any easier – in the PEN World Voices Festival in 2008 we had three successive female participants drop out of one panel, only to see them replaced by a phalanx of (very able) male speakers (although somehow Mary Robinson kindly agreed to introduce the panel, thereby restoring some kind of natural order), and in 2009, we didn’t have any, as the one woman on the panel, Kathrin Roeggla, was unable to travel to New York.  The 2009 panel itself was fine – wonderful, actually – but there was something in the specific maleness of the bonhomie that left me uncomfortably self-conscious.

Last year, I had the honour and privilege of delivering a keynote speech at the O’Reilly Conference, ETech (thanks to Joi Ito), which, looking back at the programme, seems like another overwhelmingly male-dominated conference agenda (O’Reilly now has a diversity statement, and it will be interesting to see how this impacts on the perceived quality of their conferences).  Despite this, it’s largely the presentations, ideas, conversations with women at the conference that I found most surprising and thought-provoking (honourable mentions for Julian Bleecker, Aaron Koblin, Mike Migurski and a couple of others).  So for Ada Lovelace Day, here are short intros to three women – all of whom were also extremely generous with their time in allowing me to ask even basic questions – doing work of very different kinds selected from (Sh)ETech 2009:

Elizabeth Goodman was my stand-out conversation at ETech – totally fascinating work in California on urban green spaces, informed by a huge range of learning and references, and though I missed her presentation (photo by @moleitau), an extended conversation by the piano more than made up for that.

On reflection, tied for first place was Molly Steenson – I didn’t see Molly’s presentation (there’s a theme emerging here) but her Ignite talk was witty, learned and about one of my favourite things – communication and technology in 19th Century France.

Ashwini Asokan of Intel® Corporation patiently took a chunk of time to explain to me some of the deeper concepts and research behind her presentation about localised uses of technology – really specific work, rooted in reality, and real experiences, and highly recommended.

Others whose work I have followed in more detail in the year that has passed since then include Jennifer Magnolfi of Herman Miller, and Jane McGonigal – but of those whose work I encountered at ETech itself, Elizabeth, Molly and Ashwini’s work continues to resonate for me, and I strongly encourage you to seek their work out.


Notes For “Anatole’s Tomb”

At university, I was blessed with a range of extraordinary and inspirational tutors.  One of my favourites was Professor Patrick McGuinness, who encouraged – perhaps since he’s also a poet – nonlinear thinking, making of connections, and explorations.  I was particularly struck and moved by his analysis of Mallarme’s Pour Un Tombeau D’Anatole – “210 sheets of pencilled notes towards a poem about the death of [his son] Anatole”.  He subsequently translated the work.  In 2002, a section of McGuinness’ translation was published in the LRB, along with brief notes.  Having recently becoming a parent (with “Anatole” on the baby-naming shortlist…), I wanted to re-read it.  It still shatters, moves, uplifts me, because of rather than despite its broken form, and I encourage you to read it.


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